Fortuna’s Wheel
After discovering she was the direct ancestor of Rebecca Nurse, hanged as a Salem Witch, Goyette has been exploring different aspects of witchcraft. Recently, Goyette delved into goddess worship, beginning with a loosely-formed coven, led by Deborah Castellano, author of “Glamor Magic: The Witchcraft Revolution to Get What You Want.” Castellano taught the group to make an altar to the ancient Roman Goddess Fortuna. She suggested, the altar should include a steak, wine, Campari and some exquisite Italian pastry. Yet, her vegetarian disclaimer was at the ready, “if you are uncomfortable with meat, you can make her another offering.” Goyette didn’t make Fortuna a steak that first night, she lay nervously awake, candles burning on her altar, praying for Fortuna’s favor, good luck in the domestic sphere. But Fortuna wanted steak. The next night Goyette cooked her a steak, hoping to iron out her newbie witch foibles. After 48 hours of focus with Fortuna, Goyette could feel Fortuna’s might. Dramatic turbulence within the home and a swift change of address occurred within days of Goyette’s foray with Fortuna. Magic is real, and Fortuna’s attention was life altering. So Goyette’s questions deepened, “Is art a form of magic? Can it be used to connect to ancestors, dead loved ones, goddess energies?”
Rebecca Goyette’s new suite of drawings conjure up erotic musings, familial histories and time travel while the sculptural, video and event elements of the exhibition bring ritual into multiple dimensions.
Forever Animal
a solo exhibition in Seoul, Korea in collaboration with Yeu & Me.
“I didn’t realize how much extra labour it would take to make art about sex, particularly as our society shifts in the direction of nationalism and corporate control, the divine feminine is under scrutiny,” said Goyette.
Forever Animal was censored in Seoul, Korea. The curator, Yeu Ryang Choi had everything almost all set up when at Huam-Garok, when the gallery owner stopped in and had a fit. He claimed the work not safe for public view, and he cancelled the opening, and locked the doors. There was a lawsuit that resulted in the gallery mandated to keep the lights on and climate control for the duration of the run of show. The gallery owner chose to keep the doors locked with noone inside working for a month. During that time each of my works was sold, including the reproduced letter I wrote to the people of Seoul, letting them know I was there in spirit and will be back soon to shoot a Lobsta Porn film with their artistic community.
Read more on the story covered here.